Sentence examples for sets and visual from inspiring English sources

The space of its world is in the head, and can be done with sets and visual trickery.

And the course should have professional development materials and adaptive problem sets and visual material and so on.

The case is too easy to crack, and the movie is stilted overall, but Woodley is engaging, and Araki's usual colorful sets and visual textures are beautiful.

The Victorian Era marked the height of the movement which would later be described as "pictorial": based on lavish sets and visual spectacle, heavily cut texts making room for lengthy scene-changes, and elaborate stage effects.

Chroma key was extensively used for digital set extensions, backgrounds or scenes that required cinematographer David Tattersall to seek powerful lamps to light the sets and visual effects supervisor John Knoll to develop software that would remove the blue reflection from shiny floors.

Last year, director Peter Sellars presented his Tristan und Isolde at the Opera Bastille in Paris, with specially commissioned videos by Bill Viola providing both set and visual counterpoint to Wagner's opera.

Our time is tight, but we briefly discuss working with epic special (on-set) and visual (CG) effects ("I learned a lot on this one," states Richard), and in closing, we focus on one of the glorious aspects of Beautiful Creatures: the book's innately literary spirit, transposed to film.

Joe Mantello was brought in as director and Wayne Cilento as choreographer while Tony Award winning designer Eugene Lee created the set and visual style for the production based on both W. W. Denslow's original illustrations for Baum's novels and Maguire's concept of the story being told through a giant clock.

Carla Meyer of the San Francisco Chronicle gave the film a positive review saying the film "combined B-movie acting with a twisted mind-set and visual tricks designed to camouflage cheap effects" and that it was "terrifying at some moments and insinuatingly creepy at many others".

Even at zero distance from the nerve for the perpendicular configuration, where the nerve lies between the forceps tips, nerve function remained unaffected at 30 MALIS power setting and visual inspection through the dissection scope indicated only some change in tissue structure.

In "Glacial Decoy," Trisha Brown's superb 1979 work featuring sets, costumes and visual direction by Robert Rauschenberg, five dancers wearing diaphanous shoulder-baring dresses glide forward and back in front of Rauschenberg's shifting backdrop of photographs capturing black-and-white slices of Americana.