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The plywood set suggests a desert landscape.
The set suggests a perilous, blood-filled chasm.
Scherzinger's set suggests she is a club-level performer who has been elevated beyond her capabilities.
Paul Farnsworth's set suggests that the walks might be worth taking: rusty heather, bracing air.
The zigguratlike black set suggests a temple arch, with the band on top.
As designed by Kyle Chepulis, the set suggests an antiseptic conference room, complete with instructive signs and illustrations.
Zsolt Khell's set suggests a run-down, blistered, luxury-free dacha in some unspecified decade before glasnost.
Orest Allegri's forest set suggests the end of a long summer evening; no dank midnight or Gothic abbeys here.
Through the use of screens and scrims the set suggests every scene from the murder site on the riverbank to Hope House.
The white-and-neon colour scheme of the space-cave set suggests that the designers have been downing a fair few blue drinks themselves.
With its thundering rock-bass grooves and scorching early Ornette Coleman/Don Cherry horn sound, "afraid" doesn't seem to be in their vocabulary, but this spirited set suggests Judge means they have more eclectic tastes than they've previously let on.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com