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Some autobiographical speculations do survive: the idea, for instance, that the stupendous Chaconne in the second violin Partita – to Yehudi Menuhin, "the greatest structure for solo violin" – serves as an elegy for Bach's first wife, Maria Barbara, who died in 1720.
On Sonny Side Up, the violin serves as the voice.
Once Dorian contorts his body inside the gigantic picture frame, as if it were a gallows or torture rack, the violin seems to serve as sentencing judge or executioner.
The same trio setting that had been popular from the start of the century, typically two violins and a cello, often served as the concertino.
But the younger Mr. Ulanov, already smitten with jazz, broke both his wrists in a car accident as a teenager; this served as a convenient excuse to stop playing the violin.
Ten O'Clock Classics serves as a feeder for the Juilliard advancement program, providing violin lessons at Mount Carmel-Holy Roschoollementary school in East Harlem.
Compositions by Edgar Meyer and Mark O'Connor that were inspired by country music serve as accompaniment, and they were played onstage by Paul Peabody, violin; Fred Zlotkin, cello, and Ron Wasserman, double bass.
1720) by J.S. Bach, each of which is characterized by the contrapuntal elaboration of a single melodic idea and for which Francesco Bonporti's Invenzioni for violin and bass (1712) may have served as a model.
