I thought of these words several weeks ago while first walking through the Museum of Modern Art survey "On Line: Drawing Through the Twentieth Century": there was video of Ms. Rainer's "Trio A," trotted out next to Trisha Brown's "Man Walking Down the Side of a Building," two seminal old faithfuls that have served the visual art world well as it has pursued its relentless co-optation of dance.
Nvidia also stresses that these servers would work great for running AR and VR applications at the edge and then serving the visuals to clients over 5G networks.
Disruptive patterns, frequently a part of camouflage coloration, serve the function of visual disruption by forming a pattern that does not coincide with the contour and outline of the body (see photograph).
It's worlds (and decades) away from the concentric rings animation that used to serve as the visual clue that you had docked successfully.
The movie doesn't use reënactments or generic archival footage to fill screen time, relying instead on animated drawings on-screen to sketch action as described; they're hardly better than reënactments, and they serve the same purpose, to provide visual wallpaper while discussion takes place.
Geometric shapes painted on the inside wall of the cylinder served as the visual cues, while self-generated odors accumulated over successive sessions on the paperboard flooring served as the odor cues.
(Wine and hors d'oeuvres are served.) The visual effects — from that simulated atomic blast to the apparition of a giant talking totem pole — are riveting throughout, psyche- roiling combinations of a childlike primitivism and an uberartisan's sophistication.
When they originally appeared (usually in Rolling Stone), lodged amid Thompson's prose, the images served as the visual equivalent of the writer's "gonzo" — a term Steadman defines as "controlled madness" — explorations of America.
The press conference also served as the visual introduction and naming ceremony for the Honda HR-V, a version of the Vezel mini-crossover now on sale in Japan – although the model itself was absent.
Douglas Trumbull served as the visual effects supervisor, while Carlo Rambaldi designed the aliens.
