Sentence examples for sequences of movement from inspiring English sources

Morris teases them with long sequences of movement, invented on the spot and structured on fiendishly varied counts.

On the preschool and elementary school levels, arts educators say that reading and math readiness is aided by the rhymes and rhythms of songs, as well as by the patterns and sequences of movement.

Certain sections were like revisiting favorite scenes from a movie, with dancers flashing body parts without provocation or repositioning their bodies in thorny sequences of movement accumulation.

And while the movement — a fairly conventional blend of modern dance with some ballet influences — is not especially remarkable, Mr. Koike has a truly choreographic skill at composing a stage picture, using techniques of fugue and canon to layer sequences of movement and provide an overarching logic to scenes of near, but not quite, chaos.

"Decade" throughout resounds with invention, its interplay of narratives providing a fractured response that comes to physically uniform life in one of the choreographer Scott Ambler's many interpolated sequences of movement.

Between that start and that end we're given long sequences of movement from Ms. Garcia and Mr. Escalante, at first crawling or rolling across the stage with their faces hidden from us, then pulsating — especially at knee and shoulder — as they walk with occasional lunges into long-held poses, all the time presenting their faces to us and catching our eyes.

And there are moments when fixed sequences of movements give way to improvisation.

Sequences of movements must be successfully repeated five times for a player to progress through each location in the village.

The humanoid robot is able to suitably move, to react to human mate dancers and to generate novel and appropriate sequences of movements.

Here they define "style" as something composed of a dancer's "spatial vocabulary", which can be conceived as the "inventory of movements or sequences of movements" necessary to instantiate the dance metaphor that will exemplify its expressive properties (1977, 18).

However, the manipulation of pre-recorded sequences of movements is time-consuming and highly dependent on the context in which the movement was recorded, which narrows the range of applications and interactions.