The sequence starts again, with a new victim.
After a brief pause, the five-minute sequence starts again.
The sequence starts with Billy looting beer from a liquor store.
As the sequence starts, one of Cupid's arrows breaks a heart; at the end, two Cupids open an envelope.
In a departure from the 1953 model, however, Melvin's body is pressed up against the camera when the sequence starts.
According to Mulhern, a sequence starts in the 1890s with Jude the Obscure, the tragedy of someone who wrongly believes that learning is beyond class.
Not only did they have the best tune, Peter and the Wolf, but their sequence starts with a puppet of the Portugal star.
When this opening sequence starts, their up-and-out gesture — one arm extended with palm flat, eyes following in that direction — seems to address fate.
This sequence starts with black and white illustrations drawn by Mr. Bendjelloul, then transitions to color animation made by a Swedish company the director employed.
A plantation house appears, and suddenly we are back at the opening scene, watching the trapdoor open again, and the sequence starts anew, like an unstoppable narrative in a panic dream.
Vincent Vincent Kartheiserr), the disaffected loner whose sexual fantasies about Roseanne provide the movie with its heavy-breathing, in-and-out-of-focus credit sequence, starts out as a high school nihilist, tattooing the words "por nada" on his arm.
