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One sequence shows her "wearing" a $3,890 blue taffeta coat by John Galliano.
Another sequence shows kids outside their cells, learning the alphabet song.
The very first sequence shows a child playing a grandmother's-footsteps-type game hunched up against a tree.
It is when A is increased above 3 that the sequence shows more unexpected features.
One sequence shows a strawberry milkshake with a perfect red rose, but still missing something.
But the extraordinary happenstance of that New York sequence shows that however else his talent is dispersed and diminished, Spielberg has still a fragment of intuitive genius left.
The final sequence shows a fleet of bombers breaking cloud-cover and apparently intent on destroying everything and everyone we have just seen.
One sequence shows the older Michael wandering thoughtfully through the deserted but clean and tidy camp with its grim bunks and shower rooms.
A brief pre-credit sequence shows three men drinking at night in a dilapidated garage on the edge of a town.
The film's most tender sequence shows Serge Gainsbourg carefully coaching Birkin through one of his songs, which she then performs in concert at the Bataclan.
The title sequence shows Bond getting tortured over a period of what could be years until he's a raggedy shell of his former self.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com