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"Wilderness to Wasteland," David T. Hanson's striking and disturbing sequence of landscape photographs, is most dramatically comprehended in the context of the history of American landscape art and of the evolution of the "real": as Hanson suggests in his title, we have here an inexorable movement, a despoliation of Eden.
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The main sequences of landscape reconstruction in the plain of Eretria can be summarized as follows: a marine environment predominated from ca. 4000 to 3200 cal.
Although he was certainly no stranger to the latest modernist styles, it shows him considering them at a remove in a sequence of contrasting landscape treatments that celebrates nature's bounty.
A geostatistical interpolation model charts the sequence of evolving landscapes and displays temporal changes in the magnitudes and extent of crustal flexure that accompanied forebulge development on the Late Quaternary northeast Pacific continental shelf between 14.2 and 8.7 ka BP.
A prime example is Michelangelo Antonioni's "Eclisse," which screens four times on Friday; its hauntingly beautiful final sequence, in which Antonioni abandons the narrative for a sequence of eerie urban landscape shots, reportedly brought down the house with howls of derision.
The large tracts of sequence landscape generated around candidate SNPs foster the conversion of variants identified from RAD-Seq into downstream genotyping platforms such as the Illumina GoldenGate, Infinium and Sequenom iPlex systems.
In one room, there is a sequence of four small landscapes.
Fig. 2 Electron injection in individual donor atoms observed by KPFM. a Sequence of electronic potential landscapes measured at low temperature (T = 13 K) on the channel of an SOI-FET doped with P-donors (N D ≈ 1 × 1018 cm−3) as a function of applied V BG (−3 ~ 0 V).
In his previous works, Distant (2002) and Climates (2006), the emphasis was on mood and moment, with expansive and contemplative scenes, melancholy drifting sequences and beautiful renditions of landscape.
Luis Carlos Hurtado's hand-written account of his adventures in the Yucatán is illuminated with a sequence of small, wonderful overlapping landscapes.
The sequence of vegetation succession in the landscape was as follows: Quercus (E3), Corylus, Fraxinus-Alnus and Tilia (E4).
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