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You sense it as his dance comes to an end.
Possibly, in our post-Cecil the Lion era, they sense it as too big of a political weakness.
We also sense it as history there for the taking, a past with plenty to offer the present.
I tweeted to the effect that every time I see an incident of this kind I sense it as a victory for Bin Laden.
We sense it as the camera surveys the crammed bookshelves of his room, although Nick's conspiratorial boast — "I am a voracious reader of classic prose" — is in many ways a risk.
And you sense it as the final notes of Dancing in the Dark play to revellers still dancing in the Round the Twist bar, somewhere in that foggy place between Sunday night and Monday morning.
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One senses it as an aesthetic ambition, in the necessary authority of the opening pages.
They can sense it just as well as your partner can, if not more so.
In one sense, it comes as no surprise.
In that sense, it is, as politics is and should always be, a clash of ideas.
Passed by, in every sense, it lingers as a footnote on a footnote of history.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com