Sentence examples for self-contained section from inspiring English sources

A SELF-CONTAINED section of the city of Norwalk, in south-central Fairfield County, Rowayton curves into Long Island Sound like a fishhook.

In this self-contained section of coast, with water on the east, west and south, you're never more than five miles from the Atlantic or one of its saltwater fingers reaching inland.

For now, the official catacombs are the only legally accessible bit, with one small, self-contained section of the wider quarries open for occasional tours: the Carrières des Capucins, located under Cochin hospital and maintained by the non-profit Société d'Études et d'Aménagement des Anciennes Carrières des Capucins as a museum.

By the time of Bach, the fugue as a complete composition, or as a named and self-contained section of a larger composition, had been well established in keyboard works by Dietrich Buxtehude, Johann Pachelbel, Georg Muffat, and many others in Germany, as well as in orchestral concerti by Antonio Vivaldi and others in Italy.

Since 1971, Kodo's members, staff and apprentices have lived in Kodo Village, a 33-acre, self-contained section of the Ogi Peninsula on Sado Island in the Sea of Japan, isolated from the the island's other residents.

As this post from a Program Manager at Microsoft demonstrates, college campuses are an ideal setting for a community unto itself a decidedly self-contained section of residential and student life where members may "trade with trust".

To explore this area, the team chose pieces of music that contained several movements, which are self-contained sections that break a single work into segments.

Actually, he composed In Cold Blood in brief, self-contained sections, linking them like pieces of a jigsaw puzzle.

Subsequently, as musical composition fell in line with the prevailing rationalistic trend, tempo served above all as a means of differentiation between the various movements, or self-contained sections, that constituted the large-scale works of the Italian string school and of French and German instrumental composers as well.

Its principle of organic growth through the interplay of musical themes was alien to Russian practice, which placed themes into a series of self-contained sections with no interaction or clear transition from one section to the next.

Their proposals included the replacement of the turnstiles with more up-to-date models, the erection of extra gates and railings, and the division of the terraces into self-contained sections, each with its own entrance.