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The viewer never sees a character taking medication, going through a treatment or doing anything that a typical patient does in a hospital.
She points to the words of the French philosopher Michel de Montaigne, who, writing in the 1580s, called the codpiece "an empty and useless model of a member that we cannot even decently mention by name, which however we show off and parade in public", while the Elizabethan play Wily Beguiled sees a character boast that he has "a sweet face, a fine beard, comely corpse, and a carousing codpiece".
The dialogue itself is fast, funny, and constantly self-reflexive – one of the new episodes sees a character talking about sharing Netflix passwords, followed hastily by a "REDACTED SCENE" card.
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In particular, it is surprising to see a character named as Trinity.
In this film you see a character and an actress grow.
One might feel embarrassed seeing a character in a lesser book laugh like that.
So when I see a character that struggles to remain true, I remember it.
To watch him in this extraordinary feature was not only to see a character rise to the occasion.
"Nobody had ever seen a character like Ted do something like this, so there was no script," says Mr McGuirk.
It's interesting, though, because I never see a character's actual face when I'm writing a book.
I think out of a negative you see a positive and I saw a character I like.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com