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The sections of this piece, lasting 20 minutes in total, are all we have, it is believed, of what would have been Mendelssohn's third major oratorio.
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WHO are some of the experts quoted in the "What the Experts Say" section of this piece?
Hopefully, in the first section of this piece, I was able to do just that and provoke a look at some issues that have gone somewhat overlooked.
The different sections of the Ibis become different sections of the piece.
Some sections of the piece are created through sound, light and movement; in other places, text takes prominence.
Sections of the piece, for example, evoke the Haydn and Bartok quartets, although the Bachian flavor of the main themes is always close at hand.
In one of the strongest sections of the piece, two men (Éric Beauchesne and Jason Marchant) engage in an extended struggle with each other.
Earlier sections of the piece, though, did not consistently match the comprehensive interpretative richness that made the last two movements so resolutely memorable.
As you pass the concave sections of the piece in Boston, the very floor seems to rise up and harrow your malformed reflection.
Words or short phrases — "hard times" and "delirium," which were also titles of discrete sections of the piece — returned like leitmotifs.
The sections of the piece that more closely follow Pergolesi are tweaked and slightly distorted, with pronounced walking bass lines and harmonies that mingle and blur.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com