Sentence examples for sections of the programme from inspiring English sources

Exact(2)

The history of actor-writers who get entries in both the cast and creative sections of the programme suggests a possible risk and a potential benefit of having the author on double time; and each of these wisdoms is confirmed by one of the latest pair of author-performers.

Nevertheless, coexisting with Connecting for Health's technology push model (and more prevalent in some sections of the programme than others) were occasional initiatives such as away-days, networking events, and consultations that resonated with more contemporary models of change built around theories of co-evolution and knowledge creation, and which reflect a "socio-technical pull" model.

Similar(58)

We have made each section of the programme available for immediate catch up on our referendum site, scotlanddecides.com".

The sketch-based format means this could sit in the comedy section of the programme, and it's funny enough to merit that.

Interestingly, this large-scale piece felt like the only section of the programme in which there was even an oblique suggestion of a vernacular dimension to the music.

The Metropolitan police complained about a section of the programme which featured a reporter interviewing members of the public about the issue.

She promised a "mixed picture across the country," before her co-host James Naughtie interjected to introduce the next section of the programme.

For those unfamiliar with the format, this is the section of the programme where the hopefuls are split into categories and each group is flown to one of the judges "homes".

In the most interesting section of the programme, Lionel Shriver – best known for a book that doesn't exactly encourage procreation – makes the case for and explains her own childlessness.

According to one promoter, magic shows tended to get billed as "comedy" because they didn't belong under any other heading, but mainly because it's the most popular section of the programme.

In the Panorama section of the programme, Jane Pollard and Iain Forsyth's shrewdly photographed Nick Cave autobiopic, 20,000 Days on Earth, has proved a festival smash, as has Guillame Nicloux's Kidnapping of Michel Houellebecq, a mockumentary in which the notoriously adversarial French writer has great fun (as does the audience) sending himself up.

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