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As the work zips through its 18 short sections, it transports its dancers through odd and often thrilling environments.
In view of its widespread usage in subsequent sections, it is worthwhile to review some notations about geometric algebra before proceeding to the physical problems of interest.
Unlike the news sections, it seldom turns a skeptical eye on its subject, the fashion industry, more often identifying with the industry's values and culture.
In many sections it is happy instead to relive the past glories of its leading protagonists.
In some sections it is the dancers you notice most.
If it vibrates in sections, it produces overtones, or harmonics.
Subdivided into "artistic," "posters" and "show" sections, it gives heavy play to glitz, skin and muscle.
Divided into three sections, it shows seven dancers, sporting glossy black swimwear, in constantly changing configurations.
Interspersed with a cafe and counter-dining sections, it is reminiscent of Italy's Eataly centres.
Judging by damaged sections, it appears that some of the terra cotta survives underneath.
Although dry deposition flux is affected by wind speed and humidity (see prior sections), it also depends on particle concentration10.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com