Sentence examples for section of a theatre from inspiring English sources

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Saunders provided the Bristol Theatre Proprietors with "an elevation, Ground Plan and Section of a Theatre" (sectional drawing, plan and elevation) in 1765.

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In 1944, years before the civil rights movement in the States, Roberta Schenck, a Native woman refused to budge from her seat in the "White's Only" section of a movie theatre in Nome.

On a larger scale, they have a 20-foot (six-metre) gilded section of a Pennsylvania movie theatre façade, period rooms with their chandeliers, wall panelling and rugs intact and a 1920s artist-designed children's bedroom with inventive furniture (such as the jaunty chair pictured).Quality matters, rarity is appreciated but beauty gives way to documentary value and particular era.

Nick Harding from London Fire Brigade said: "A section of the theatre's ceiling collapsed onto the audience who were watching the show.

The section of the theatre in which I was sitting was accessed by entering at stage right, climbing up to a square foot or two of stage, then heading down a small couplet of steps.

What are desired outputs of a theatre, what the respective inputs, and for which homogenous subgroup of all theatres does such an efficiency measurement make sense.

He recalled that his fellow soldiers "were not colour-conscious", and that during training in northern Queensland his white mates would sit alongside him in the "Aboriginal" section of movie theatres.

In this new series, the artist has painted iconography referencing DC comics, 1970s rock, Hollywood films and detective novels – images sifted from the artist's own adolescence – on to sections of used theatre backdrops.

Our most successful tool of engagement has been forum theatre, a technique created by Brazilian theatre director Augusto Boal where actors or audience members can stop certain sections of a performance in which a character is being oppressed.

On his return to Britain, he continued with his solo variety act, while also acting as the head of the cabaret section of ENSA at the Theatre Royal, Drury Lane, where he clashed regularly with his counterparts running the drama sections, Sir Seymour Hicks and Lilian Braithwaite.

The second section, set in and around a theatre, is a portrait of a man who might even be good.

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