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The in situ Automated Rock Thin Section Instrument (IS-ARTS) conceptual design demonstrates that the in situ production of thin sections on a planetary body is a plausible new instrument capability for future planetary exploration.
Duke Ellington would sometimes use multi- reed players Johnny Hodges and Otto Hardwick to play soprano as a section instrument in his orchestra, but on occasion the soprano was featured as a solo instrument as with Johnny Hodges beautiful work on "Harmony in Harlem" from 1937.
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There were other innovations as well: saxophonists Anthony Braxton, Steve Lacy, and Evan Parker performed unaccompanied improvisations at their solo concerts, and unprecedented groups began to appear that had no rhythm section instruments whatsoever.
When they weren't all lining out a strong melody or building a groove, the instrumentalists fed off one another's ideas: the glissandos of lyre and saxophone, the intersecting stippled patterns of rhythm section instruments.
In our study (see section instruments), we adapted the instrument of Prenzel et al. (1996) and supplemented it with two dimensions developed by Ramseier (2004), which capture these two additional dimensions of learning motivation.
He used it almost as a rhythm-section instrument: he repeated needling riffs that anchored the pieces, sometimes in tandem with the acoustic guitar of Liberty Ellman.
Coronal sections (50 μm) were produced using a Vibratome sectioning instrument (Ted Pella, Redding, CA, USA).
In the past Mr. Peterson's left hand interacted ingeniously with the rhythm-section instruments, providing some of the accents for his steady swing and adding color and subtlety to his accompaniment.
GRITS was developed as part of a broader effort to develop an in situ automated rock thin section (ISARTS) instrument.
In the onrushing opening section, the instruments evoke wintry winds through swooshing, darting thematic lines, before the music settles into a loopy dance.
"Wide Angles" (Verve) the recent album Mr. Brecker made with a 15-piece group that he calls a quindectet, includes a regular jazz small group at the core as well as a string section and instruments like oboe and English horn on the periphery.
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