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This section ends with a lurid prose poem about the untenability of exile.
Then this section ends, the shadows come off, and she sings about who she is now.
The section ends like this: "The men drive the sheep away home.
This section ends in superscaled square-topped pediments, another Blum trademark.
In "Replace All" things take a dark turn, and the section ends with the layoff survivors sinking into despair.
This section ends with voices of children (the orchestra's combined youth and children's choruses) singing, "We have a future".
Ms. Stroman's section ends "Duke!" on the upbeat, but "Them Twos," as the program's central ballet, ends with a vision of vanishing love.
This section ends abruptly with the poets, in the company of a whore fleeing her pimp, commandeering a car and heading for the desert.
The section ends not with the poignant, single-paragraph story of Walt's fatal heart attack but with the couple's exuberant elopement.
(Ansari does not believe in self-deprecation. The book begins: "Oh shit! Thanks for buying my book. That money is MINE". Its final section ends: "Okay, well.
She turns out to be the dreaded "harbinger of death": the first section ends with her appearance; part two is entitled "The Body in the Woodland".
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com