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But the budget's not set and the script's not set.
But now, if the script's really good, you don't need to change very much.
I've got my microphone, the script's in my head.
It's as if the script's imaginativeness exhausted or closed off Taichman's.
("He's Ginger, isn't he?" goes one of the script's better bits of innuendo).
There's no glibness in Mr. Frankenheimer's work to balance the script's cheekiness.
It's then, by the way, that Emilio utters one of the script's most insightful lines.
The script's a scorcher.
And he said: "No, script's good".
The script's attitude to women is shiddy.
They didn't kowtow to the script's demands.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com