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Whedon's screenplay has a strong philosophical undertow.
The screenplay has him entering the courtroom.
Russell's screenplay has a lot of snap.
The screenplay has to drive the boat.
The screenplay has some clever tricks up its sleeve.
The 2010 Sorkin screenplay has snappy, syncopated language about Python Web servers and Pix firewall emulators.
But the one-liner-loaded screenplay has the same insouciant charm.
The screenplay has been penned by Susannah Grant, who previously wrote Erin Brockovich and Disney's Pocahontas.
The screenplay has been penned by Ocean's Thirteen writers Brian Koppelman and David Levien.
But you know, the screenplay has it that it's a secret that he's a little boy.
Budd Schulberg's screenplay has many echoes of The Hook, though he denied any influence.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com