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Last week saw the first London screening of Love, Sex Aur Dhoka (Love, Sex and Pain), Bollywood's belated attempt at addressing India's increasing sexual openness.
So last night at a suitably late hour, eager critics thrust themselves into their seats for the midnight screening of Love, ready to flick their, ahem, glasses on.
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The series kicks off today with a screening of "Loving" at 7 30 p.m., featuring a Q&A with director Jeff Nichols and actor Joel Edgerton.
As for contemporary resistance, Libération reports that strikes by employees of France's utilities left the festival briefly without electricity, interrupting a screening of "I Love You Phillip Morris," starring Jim Carrey and Ewan McGregor.
The Friday afternoon audience for the film of John Green's The Fault In Our Stars was squirming with more anticipation than any audience I've seen since the first screening of Endless Love in July 1981.
Next he was cast in the stage and screen versions of "Love!
(As the antiwar protests of the 1960s gained momentum, she became known for silk-screen images of love and peace. She designed a "love" stamp issued in 1985, the year before her death).
On Saturday at 3 p.m., there will be a screening of "The Loving Story," a 2011 documentary by Nancy Buirski about a landmark Supreme Court case that brought an end to anti-miscegenation laws; Ms. Buirski will be present at the screening, which is co-sponsored by the Brooklyn Historical Society.
If I weren't going to be at Film Forum tonight, I'd be at Film Society of Lincoln Center for the 9 P.M. screening of John Cassavetes's "Love Streams"; the mere recollection of the angle of Cassavetes's fierce, tortured brow thrust forth like the prow of a hulking, drifting ship makes me want to head over there.
As part of his ongoing campaign to stick up for sex workers and the red light districts they call the office, and ahead of the screening of his documentary Love for Sale on Channel 4 on Monday evening, Everett held court at the Soho Sanctum hotel to bemoan the social cleansing of London's seedy centre.
"Gee that was a really good movie," said the still slender 87 year old after bounding to the Academy's stage following a screening of "The Strange Loves of Martha Ivers".
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