Sentence examples similar to screen evocation from inspiring English sources

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Only six minutes long, it is a poetic, double-screen evocation both of life in Morocco and of the show itself, with the camera sweeping across bare landscapes and into lamplit synagogues, then traveling in close-up over the iridiscent, gold-shot surfaces of textiles on view in the galleries beyond.

There is a richness and depth to his evocation on screen that resonates with the ideas behind the collection and my work in general at Yves Saint Laurent".

Catherine Sullivan, using actors trained in antic, Richard Foreman-ish stylizations, fills several screens with eerie evocations of war and tyranny in a twentieth-century Eastern Europe of the mind.

Mr. Joffe, who banned any suggestion of a perfume bottle on the screen, called the work "an evocation of the spirit of a thing".

This ­rivetingly plausible evocation of a screen icon is well supported, in Nicolas Kent's production, by Michelle Fairley as the loveless, life-wasted Paulie, Daniel Gerroll as the quietly acquisitive painter, and Tom McKay as his pugilistic lover.

Crawford herself doesn't appear in "On the Blue Comet," but Wells and Ibatoulline's entertaining evocation of silver-screen and steel-train glamour brings to mind that Norma Desmond line from "Sunset Boulevard" about the golden age of actresses: "We had faces".

Taut as the novels' storytelling is, what made the work hum on the page and occasionally on screen was the raw, near-palpable evocation of Yorkshire, Peter Sutcliffe, police culture, insatiable property development, the alien but eerily familiar England of the 70s and early 80s.

The inventiveness of the production reaches out to the audience – we see the sound effects being created and the screen projections being created – and the evocation of Papageno's birds by fluttering paper is the more memorable for being such a simple idea.

Franco's evocation of that silver-screen idol won him a Golden Globe Award for best actor in a miniseries or television movie.

She is, and can be no other than, Rita Hayworth, who is forever remembered as a love goddess of the silver screen, when movies were truly silvery in their evocation of glamour, glitter and allure -- and sex of the seething, suggestive kind.

The noise was an evocation of, and a cover for, Mr. Mould's roiling emotions.

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