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S". to his screen credit.
Elmo Roper prevailed upon Spiegel, Inc. of Chicago, to hire Dr. Marseille to screen credit applicants.
He received his first screen credit in Laslo Benedek's version of Death of a Salesman (1951).
Although other writers produced the final screenplay, Johnson's screen credit made a difference.
It would be 15 years before he got his next screen credit.
The screen credit said, "Written by Herman J. Mankiewicz and Orson Welles".
Because Wilson and Foreman were blacklisted, they didn't receive screen credit for Kwai.
It is Ms. Upton's third and by far most substantial screen credit.
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Offering a small on-screen credit seems a small price to pay.
His first on-screen credit in the United States was "Her Jungle Love" (1938) with Dorothy Lamour, for Paramount.
In the weird world of big-league scriptwriting, Marcel became a fearsomely hot property without a single on-screen credit.
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CEO of Professional Science Editing for Scientists @ prosciediting.com