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The piano arrangement from Richard Rodgers's score was played by Alan Moverman.
"Jeu de Cartes," an orchestral score, was played two days early, and "Les Noces" was bumped to Thursday evening and Friday afternoon.
This score was played during shooting, which according to Takita "allowed [the crew] to visualize many of the emotions in the film" and thus contributed to the quality of the finished work.
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Ezio Bosso's original score is played through speakers.
Leonard Bernstein's happiest score is played as ravishingly as ever by the onstage orchestra.
The score is played by a single pianist, in this case Lawrence Yurman, and there are no props or costumes.
Glass's score is played live by the London Philharmonic under Marin Alsop, and David Morrissey is the narrator.
The whole score is played fervidly by a more than competent, if not flawless, five-piece onstage band.
Music, which Tolstoy saw as dangerously hypnotic, is crucial to the action and it helps that Harry Sever's Beethoven-influenced score is played on stage by Alice Pinto and Phillip Granell.
The score is played onstage by Maureen Gallagher, the viola soloist, who joins Nancy McDill, the piano soloist, after a curtain raises to reveal Ms. McDill.
Adalberto Alvarez's score is played by a band directed by Elio Villafranca and Amy Tarachow's witty costumes range from modernist geometric patterns to sexy chic (for Ms. Benitez's uninhibited sensuality).
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com