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Score, notation, in manuscript or printed form, of a musical work, probably so called from the vertical scoring lines that connect successive related staves.
The songs are also important for the study of basso continuo performance practice, for some of the continuo parts are realized in score notation.
The structure of this model is designed in order to represent the time dependencies between successives strokes and to take into account the specificities of the tabla score notation (transcription symbols may be context dependent).
It is important to notice that the score notation presents relative timing, that is, note durations are represented as a ratio of each other, and not as absolute values.
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In sharp contrast to that work's chiseled exactitude, the String Quartet (1965) represented the composer's later style of open-score notation, in which a formal structure offered leeway for improvisational flexibility.
This encouraged Takemitsu in his use of indeterminate procedures and graphic-score notation, for example in the graphic scores of Ring (1961), Corona for pianist(s) and Corona II for string(s) (both 1962).
bConfusion scores notation: B-B – the number of benign mutations predicted as benign; B-D – benign as deleterious, D-D – deleterious as deleterious; D-B – deleterious as benign.
Includes final examination with scoring notations.
Over all, Montgomery said that the performers should heed the score's notation of molto ritardando: don't rush.
Furthermore, certain types of publications, such as musical scores, scientific notation, and other specialized or small-audience works, continued to be handwritten well into the 19th century.
There is ample evidence of Rauschenberg's involvement with artists whose efforts were primarily time-based: musical scores, dance notations and drawings by the composers John Cage and Morton Feldman and the choreographers Merce Cunningham, Trisha Brown and Steve Paxton, as well as paintings by Alex Hay, active as a dancer in the 1960s.
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