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His aggregate score is an all-time major record.
The score is an uneven creation, at times conventional and at times craggily inspired.
Nilas Martins's score is an artful weave of rhythms, musical styles and moods.
Today's Tory score is an ICM high point, reached twice last summer but never passed.
According to Nielsen, the score is an look "at a sports figure's overall endorsement potential".
His score is an underscore: an unpredictable soundscape that supports the narrative and in which an enormous amount happens simultaneously.
But as a journal's score is an average, it says little about the quality of any individual piece of research.
Veerle Baetens is startlingly good as the tattoo-streaked mum and the bluegrass musical score is an unusual delight.
However it is danced, this plotless work of 1972 to a Stravinsky score is an outburst of energy.
Musically, Weber's score is an inventive mixture of song, speech, dramatically charged recitative, expansive arias and hearty choruses.
The resulting score is an eclectic blend of jazz, musical theater, Mahlerian angst, wistful Coplandesque harmonies and jagged atonal outbursts.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com