Sentence examples for scholar critic from inspiring English sources

There is an element in American copyright law that allows people to make "fair use" of protected work: a scholar, critic, journalist, or parodist may reproduce a modest portion without permission.

In a 1974 essay for the American Scholar, critic Stanley Kauffmann traced Papp's remarkable ascent with a mixture of wonder and disappointment, concluding that Papp's chutzpah had little substance to it.

Calvin C. Hernton, a scholar, critic and poet whose work explored the terrain where American race relations collide with American sexual politics, died on Oct. 1 at his home in Oberlin, Ohio.

Raymond Federman, a French-born scholar, critic and avant-garde novelist whose work sought to straddle the boundary between fiction and reality — and in so doing to emphasize the inadequacy of language to capture either one completely — died last Tuesday in San Diego.

At the very beginning of John Carey's enjoyable ramble through his life as a scholar, critic, literary prize judge, writer and professor, he admits that at first he wanted to write a history of English literature, rather than a history of himself.

Raymond Federman, a French-born scholar, critic and avant-garde novelist whose work sought to straddle the boundary between fiction and reality — and in so doing to emphasize the inadequacy of language to capture either one completely — died on Oct. 6 in San Diego.

He continues to receive praise from film scholars: critic Leonard Maltin calls Tracy "one of the 20th century's finest actors", while film historian Jeanine Basinger describes his career as a "golden record of movie achievement".

The book fluctuates between criticism and biography, which is fine; what is lacking, however, is a clearly conveyed thread that unites all this material — the sort of thing we get from another modern Italian scholar-critic, Mario Praz, in "The Romantic Agony" (not the Italian title) and "The Hero in Eclipse in Victorian Fiction".

As Porter has written, "a scholar-critic in touch at once with academe and with the practicalities, the diversity, the hurly-burly of music in live performance" was an obvious choice to be the guiding force behind a new edition of the musical dictionary created at the end of the 19th century by the great polymath Sir George Grove.

For the first time, oddsmakers, scholars, critics, readers, and publishing pros in and beyond Japan seemed united in nodding their belief that this was "his year".

A dramatist had to win over three audiences to succeed in the theatre: the court, the general public, and the scholar-critics.