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That scene plays out in dentists' offices every day.
The scene plays at length, almost in real time.
The scene plays not as delusion but as protest and prayer.
The scene plays in virtual silence, interrupted only by the repeated pistol shots.
An extraordinary scene plays out in hospitals across Britain that is a harbinger of crisis ahead.
The other characters cannot see the hand, which in a haunting scene plays a piano.
And stay friendly, no matter how the scene plays out, even if they tell you to get lost.
In home after home, the scene plays out with a certain urgency and a tinge of misgiving.
Rampling, appearing in pretty much every scene, plays Marie, who lectures in English at a college in Paris.
Every scene plays out with a different rhythm and pops with the startling surprise of a perfect tag.
This scene plays out at their home in Raleigh, N.C., every night, and, increasingly, in more American households across the country.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com