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There are unfamiliar works, like George Bellows' antiwar painting "The Return of the Useless" from 1918, a harrowing scene of German soldiers and Belgian forced laborers rendered in shades of red; and emblematic masterworks like Dove's glimmering semi-abstraction "Moon and Sea II" from 1923; and Hartley's tender painting of a blocky Acadian boxer from 1940.
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Scenes of German censors going through mail, a storm trooper pressuring a housewife for a monetary contribution and so on were staged with the Hoboken residents and cut into the finished film alongside Bryan's footage.
Tells about other things received by the prisoners, phonograph records, movie films, and prints of familiar scenes of German towns and country sides; how the stuff is shipped, etc.
We are hardly 15 minutes into the picture when we get stomach-turning scenes of German officers presiding over a mass grave in a forest, one Wehrmacht signaller tapping away his encrypted messages.
Amazing scenes of Germans applauding refugees as they got off trains were swiftly forgotten after the Cologne New Year's Eve attacks.
The owner of the bar brought out shots of ouzo to ease the pain, but many could hardly bear to look at the scenes of Germans rejoicing in Poland.
It's a tricky tale to tell; the film's opening and closing scenes of Germans in Czechoslovakia being rounded up and loaded onto trains consciously echo the familiar imagery of Jews being sent to Nazi concentration camps.
The movie is a parable on the breakup of Yugoslavia, including a memorable scene of the German bombing of Belgrade's zoo in 1941.
Michael's first stop is in Cologne, where Stockhausen, with a touch of self-kidding, evokes the modern-music scene of that German city through complex, jagged contrapuntal writing and spiraling serialist riffs.
Worst of all was the scene of a German Chancellor listening to an American president boast about how strong his military is, and how much stronger it soon will be.
Depicts aspects of social and political conditions in German-occupied France, 1940-1944, including scenes of leading German political and military figures, German armed forces, and daily life in French towns and villages.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com