While the blood stage is covered on a close-meshed time scale, the liver stage and especially the mosquito stage are less well analyzed.
Considering its dimensions — and the scale of the stage — the show has a surprisingly ample five-piece band, with drums, guitars and piano abetted by some bits of brass and the harmonica, naturally.
Stories unfold on that stage like a shared experience; there is an intimacy between actors and audience which the size and scale of the stage seems only to deepen.
We simulated on a numerical scale the Development Stage (DS) with DS = 0 for sowing, DS = 0.65 for panicle initiation and DS = 1 for flowering.
At the substrate scale, the decay stage is the strongest determinant of species richness, with large (>20 cm diameter) downed logs hosting more species than other dead-wood types.
Moreover, except for the time-corrected richness curves at the LVF-scale and the stage-scale, the results of the diversity assessments on the different time scales are consistent in the recovery of the three events, respectively, suggesting a real signal at the end of the Guadalupian.
Alternatively, the failure to recover the end-Guadalupian event at the time-corrected LVF-scale and the stage-scale might suggest that the detection of this event at the remaining scales potentially represents a relic of an apparent rather than a genuine increased stratigraphic resolution.
Perhaps the quirkiest event mentioned, organised by the poet Tim Wells, involves (self-declared) Fat Men Reading Poetry, with a pair of scales on the stage dictating the running order.
The most striking pattern is seen in the genus plots at the LVF-scale and the stage-scale (Fig. 4a, c).
The scale of the staging dilutes some of the intensity in this production, but Murphy is riveting, even in scenes that seem over-extended.
