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Aristotle, and nearly all Western scholars after him until the 18th century, believed that creatures were arranged in a graded scale of perfection rising from plants on up to humans: the scala naturae or Great Chain of Being.
His version of the ontological argument can be summarized as follows: #There is existence #Existence is a perfection above which no perfection may be conceived #God is perfection and perfection in existence #Existence is a singular and simple reality; there is no metaphysical pluralism #That singular reality is graded in intensity in a scale of perfection (that is, a denial of a pure monism).
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The 14th century also was the "Golden Age" of English mysticism, as conveyed in the writings of the hermit Richard Rolle; the canon Walter Hilton, who wrote The Scale (or Ladder) of Perfection; the anonymous author of The Cloud of Unknowing; and his contemporary, the visionary recluse Julian of Norwich, whose Revelations of Divine Love is unsurpassed in English mystical literature.
His major work was The Scale [or Ladder] of Perfection, written separately in two books.
The scale of Voldemort's ambition and the perfection of his depravity made him one of the exemplary movie bad guys of his time — the slithery Satanic verve of Ralph Fiennes's noseless performance certainly helped — but by the final installment in the franchise, his imperial, metaphysical badness had lost some of its negative sublimity.
Short films may lack the scale and sweep of their feature-length siblings, but the best of them offer a Jonsonesque promise of perfection in miniature, and a reminder that cinema is often an art of patience, precision and detail.
Although the scale does not include any supernatural beings, his scale of nature continues to have a religious undertone: the beings are hierarchically ordered in accordance to their assumed degree of perfection deduced from their type of soul.
A threesome of perfection.
Grandiose statements of perfection.
After 12 years of perfection?
Those were not merely counsels of perfection.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com