Sentence examples for sang fully from inspiring English sources

At Juilliard, he was protecting his vocal cords, and never opened up and sang fully.

All of them worked with their whole bodies, and sang fully as characters, not performers.

Opera-for-All means $25 tickets and introductory videos before the show (both of which would be welcome during the regular season), and Saturday's videos included rehearsal scenes of Rinat Shaham, the Carmen, singing fully and looking sultry in black, with a mass of wild dark hair.

Why don't more revue creators understand that fewer songs sung fully is a better policy?

Björk explains that even Iceland's harrowing chill was a source of inspiration: "It was very cold there and I was singing fully voiced and was walking barefoot on the lava so it was kinda extreme conditions but perfect for the song.

As part of the Prelude to Performance series, talented young artists will sing in fully staged productions of Offenbach's "Contes d'Hoffmann" and Donizetti's "Elisir d'Amore" at the Kaye Playhouse at Hunter College.

As part of the Prelude to Performance series, talented young artists will sing in fully staged productions of Verdi's "Falstaff" and Mozart's "Così Fan Tutte" at the Kaye Playhouse at Hunter College; (212) 315-9190, martinaarroyofdn.org.org

Over four movements, the music lurches between hectic orchestral noises and plaintive tonal harmonies, until, in a climactic passage, the wedges are removed, the tape is ripped off the strings, and the piano is allowed to sing out fully.

Groggy from his trip and rehearsals, Mr. Licitra (pronounced lee-CHEE-trah) said that while "of course it would be nice to sing," he fully expected to be sitting in Mr. Volpe's box tonight applauding Mr. Pavarotti.

In principle, there is no reason Mr. Hampson should not have sung out fully, as he did, and as he will next week, when he takes on the role of Amfortas in the Metropolitan Opera's production of Wagner's "Parsifal".

One of the evening's guest musicians with the orchestra was the New Orleans trombonist Lucien Barbarin, and on "Muskrat Ramble" his playing was smeared and singing, and fully worked into his sound; this kind of playing usually seems like self-conscious outrageousness, but Mr. Barbarin wasn't even tempted toward ostentation.