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Frege took sameness of cognitive significance to be the mark of sameness of meaning.
Quine [1970, pp. 3 6, 98 99], for example, equates "likeness of meaning" "sameness of proposition" and "sameness of objective information" by treating propositions as information in the factual sense just highlighted (having the same meaning means conveying the same objective information, though according to Quine, this only rephrases the problem).
"Identity" and "sameness" mean the same; their meanings are identical.
In such circumstances, repetition doesn't mean sameness; it means a wrecked world.
This perception of sameness with native phonology means that speakers of the borrower language (in this case, Huave) will hear new features from the loaner language (in this case, Spanish) as equivalent to features of their own and substitute in their own when reproducing them.
Again, we see an attribute-independent structure the chain of modes of substance that is meant to account for the "one and the sameness" of modes of different attributes.
On the contrary, it is the sameness of several, numerically distinct realizations of the same information-content, just like the sameness of a book in its several copies.
The song is meant to be a feminist attack against the misogyny, commercialism and numbing sexual sameness of rap on the radio.
The problem is sameness of content.
The white sameness of the people.
A certain sameness of texture, perhaps.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com