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Mr. Ayckbourn wrote the plays concurrently in celebration of his 60th birthday, and they are being performed simultaneously -- at the same time by the same performers, who run between two different stages -- in what turns into an invigorating celebration of the possibilities of theater.
Another perhaps more direct continuation of Sullivan's video documentation of raucous, rebellious and sometimes, raunchy nightlife and performance scenes is Joe E. Jeffreys Drag Show Video Veritee, a video project screening Jeffreys' footage of nightlife performances from drag to burlesque to boylesque including many of the same performers that appear in Sullivan's videos years earlier.
Another perhaps more direct continuation of Sullivan's video documentation of raucous, rebellious, and sometimes raunchy nightlife and performance scenes is Joe E. Jeffreys's Drag Show Video Verite, a video project screening Jeffreys's footage of nightlife performances from drag to burlesque to boylesque including many of the same performers that appear in Sullivan's videos years earlier.
A television monitor plays footage of the same performers, ostensibly offering variations in the narrative.
It is coupled with an even older First Concerto by the same performers, recorded in 1997.
It's like a family, with the same audience and the same performers.
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A biting wit that flirts with sarcasm and a real singing voice are talents that don't often coincide in the same performer.
Yet this same performer who loves the crowd to love him also, at the relatively unknowing age of 20, was one of the first in to Aceh Province after the tsunami devastation of December 2004.
MACBETH With Alan Cumming's (nearly) one-man adaptation of Shakespeare's bloody Scottish tragedy still fresh in our minds, here comes a version in which the title character and his doomed Lady Macbeth will not be played by the same performer: Ethan Hawke and Anne-Marie Duff take on the blood-soaked married couple.
Few actors can boast so bracing a range, but you would hardly know, from the new movie, that the same performer could have bounced and blitzed his way through "The Talented Mr. Ripley" and "Charlie Wilson's War," let alone crowed as Truman Capote.
The club didn't latch onto some other performers who might have suited the cabaret setting, like neo-soul songwriters (though it recently presented Anthony Hamilton), and it clung to its longtime routine of two shows a night by the same performer.
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Since I tried Ludwig back in 2017, I have been constantly using it in both editing and translation. Ever since, I suggest it to my translators at ProSciEditing.

Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com