Titled "The Face: Jesus in Art," a production of Thirteen/WNET in New York, it surveys 2,000 years of sacred creativity, beginning with early depictions in the late classical era, then moving forward to Byzantium's rich icons, the frescoes of the Middle Ages and the canvases of the Renaissance and the modern era.
The group's central message: deadline or no deadline, life is sacred from beginning to end, and Bill Kuenzel deserves justice.
The shepherd's sacred shade, began his poem named for this place.
It all seemed to presage the rumble when talk of development of the 16 sacred acres begins in earnest.
The Republican platform calls for the passage of a constitutional amendment declaring that life is sacred and begins at conception.
It is wrong, even in cases of rape or incest, because life is sacred and begins at conception (he does, however, support the death penalty, as it is not the innocent who die).
"Sacred Ground" began with that conversation and the "realization that there is no better time to stand up for your values than when they are under attack, that bigotry concealed doesn't go away, it only festers underground".
Then I discovered Led Zeppelin II, opened and played like a sacred text, a litany beginning with that amazing pre-echo effect on Whole Lotta Love.
The Catechism states: "Human life is sacred because from its beginning it involves the creative action of God and it remains forever in a special relationship with the Creator, who is its sole end.... no one can under any circumstance claim for himself the right directly to destroy an innocent human being".
As we ascend towards the sacred lakes, clouds begin to dust the ground with snow.
