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Martin Scorsese's rugged editing in Taxi Driver and Raging Bull was a function not only of an editor's ingenuity but also of a total conception of script, acting style, camera work (including harsh black-and-white tones for the latter film), and music.
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After the opening-credits' music (evoking "Misirlou," the "Pulp Fiction" theme by Dick Dale and his Del-Tones), the movie employs visual conventions you've seen in a score of action flicks: high contrasts, sun-drenched settings, whiplash editing, chases on twisting seaside roads, rugged men striding in front of a background inferno... Shall I continue?
He was rugged.
It's quite rugged.
It's really rugged.
They're rugged, too.
That's pretty rugged.
Rugged individualism!
It certainly looks more rugged.
"It was also pretty rugged.
Both are planar and rugged.
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