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Horowitz initially sent Rabe the "Keeping Room" script and then followed that up later by showing her "Miss Stevens".
In the original draft of the Room script, the stage direction reads: "JOHNNY OPENS THE DOOR TO THE ROOF ACCESS.
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Still, the point felt clear to me: Schumer wants to make a show that is broadly convincing, and if a troll is in the writers' room the script that comes out has a good shot of convincing even a troll.
We were writing them both at the same time in the same room, trading scripts back and forth.
But still... a 96-piece orchestra and choir backing you is a far cry from sitting alone in a room typing scripts, Or doing funny voices into a microphone.
Fight and fuck?" conversations echo all the way from the script room on to our television screens.
She mentioned a section, halfway into the story, set in network-TV conference rooms where scripts for "Amos 'n' Andy" are being written.
"I tend to go back to the methods that are lower tech, that are simpler — when you can sit people in a room with a script," he said.
In the rehearsal room, with a script freshly adapted by former company artistic director Andrew Upton, director Simon Phillips suggests Woods play Poche like a sewer rat.
The director, Jeff Cohen, has managed a briskly paced, high-energy play, but he hasn't left any room for the script to work more than its (considerable) surface magic.
"And I said, 'Scott Fitzgerald — isn't he dead?' And he said, 'No, he's not dead, he's right in the next room reading your script.' " The effort ended after Fitzgerald went on a bender in New Hampshire with Mr. Schulberg, who turned the disastrous experience into "The Disenchanted".
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com