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In the San Francisco of "Looking," which pits the contusions of casual sex against the banalities of steady dating, the romantic weather is always bad.
By Daniel Wenger March 22, 2015 In the San Francisco of "Looking," which pits the contusions of casual sex against the banalities of steady dating, the romantic weather is always bad.
In their San Francisco, the contusions of casual sex are pitted against the banalities of steady dating, and the romantic weather is always bad. "Looking" is an artifact of a moment when, in the most tolerant regions of the American imagination, the bathhouse has been razed and the single-family home has been built in its place.
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I had decided before I left for Brussels to be a diplomat instead of a writer, but the freedom and the bars and the romantic northern European weather — cool, with a mottled layer of clouds rolling fast and low over the ground so that one second it was overcast and the next bright — were bringing out the poet in me.
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Village Gifts where aspiring princesses can snap up $64.95 Belle costumes; and the Be Our Guest Restaurant where, in defiance of Florida weather, soft, romantic snow perpetually falls outside the windows.
But where Burberry scores is in its clear vision and image of an England of hair dampened by misty rain, Chelsea boots for wet city pavements and rain-washed colors like pale blue and sunset-streak pink that give a romantic sweetness to stormy weather.
I didn't know, but goodness, I longed to: the notion of surviving such weather seemed so romantic.
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