The phrase "romantic tendencies" is grammatically correct and can be used in written English.
It refers to a person's inclination or tendency towards being romantic or expressing romantic feelings. Example: Despite being a skeptic, Martha couldn't deny her romantic tendencies when she found herself falling deeply in love with John.
His early works, painted after his graduation, show Romantic tendencies.
This means I am suspicious of my romantic tendencies.
The Giornate capitalised on the audience's romantic tendencies.
He is either a Romantic composer disciplined by Classical reticence or a Classical composer with Romantic tendencies.
His wife, Aspazija (pseudonym of Elza Pliekšāna, née Rozenberga), took up the struggle for women's rights but displayed rather Romantic tendencies in her later work.
But far from being distinct and separate, these two styles intermingled with each other in complex ways; many ostensibly Neoclassical paintings show Romantic tendencies, and vice versa.
This romantic tendency usually makes for bad history.
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It's the difference, for instance, between a remix of "found" text that appears superficially to be an original, self-expressive document (metamodern) and a poem that is, without formal/thematic complication or constraint, a purely self-expressive document (a Romantic tendency we might also associate with early modernism).
But here he gives his Romantic interpretive tendencies free rein.
It is precisely here that Cassirer appeals to "romantic" philosophical tendencies lying outside the Kantian and neo-Kantian tradition, deploys an historical dialectic self-consciously derived from Hegel, and comes to terms with the contemporary Lebensphilosophie of Wilhelm Dilthey, Henri Bergson, Max Scheler, and Georg Simmel — as well as with the closely related philosophy of Martin Heidegger.
