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LH REVIEWED: Toilets is a short film by Gabriel Bisset-Smith about George and Fee and their various romantic run-ins in bathrooms over the years: a house party in 1999, a big night out at the arse-end of new rave in 2008 (not a pretty sight), a posh restaurant loo in the present day and then, in 2043, in a future world where all furniture is egg-themed.
While the pragmatist's arguments are much more effective, the romantic arguments run deep.
An incredibly special inn (one of Fathom's "World's Most Romantic Hotels") run by chef extraordinaire Francis Mallman that draws an international foodie crowd for meals and overnight stays in the give guest rooms centered on an open courtyard and pool.
It doesn't sound very romantic, but running football clubs is not very romantic.
"All films are love stories," said Mr. Leconte, and it is true that a powerful, almost swooning sense of romantic redemption runs through his best films.
Piñeiro begins with a puckish view of Lukas walking through Columbus Park while espied by Carmen from the Institute window, and it sets the tone for the director's stringently elegant, archly inflected compositions, which, in their drolly repetitive doublings and reminiscences, reflect the recurring but transformed themes, problems, lines, and conflicts on which the romantic plot runs.
A strain of romantic thought runs through it: the first gallery has a wall panel with a passage from F. Scott Fitzgerald's "Great Gatsby," invoking the innocent hopes of that "old island that flowered once for Dutch sailors' eyes — a fresh, green breast of the new world".
Scott openly admits to a "romantic thematic" running though the film.
They have become running partners as well as romantic partners, and ran their first marathon in January.
And on "Coalition," Mr. Bender Ronnenfelt confronts his own romantic limitations: "Blockades run through my veins".
Martha Winfield, an American mother of two living in London, recalls a less romantic moonlight ski run in Zermatt last winter.
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