"Since it's one of the few romantic comedies opening in the fall Broadway season, we're golden," he said.
Now there is "Punch-Drunk Love," a romantic comedy opening Friday about a businessman, Barry Egan Adam Sandlerr), who wholesales novelty toilet plungers out of a Valley warehouse.
LOVE is a minefield, but women would rather blow up than be single," says the unflappable heroine of "Love and Sex," Valerie Breiman's romantic comedy (opening in August) that could be the female response to "High Fidelity".
Working Title breathlessly trumpet their new film's success over their previous films by declaring it has "broken all records", a claim backed up by the precision that it is "the highest British romantic comedy opening in history".
Eisenberg -- best known for his roles in "The Social Network," "The Squid and the Whale," and "Zombieland" -- is currently filming Woody Allen's adaptation of Giovanni Boccaccio's "The Decameron" -- titled "The Bop Decameron" -- a romantic comedy opening sometime in 2012 (filming pictured below).
The groundbreaking hit featuring an all-Asian cast has dominated the box office during its first week in theaters, making it one of the biggest romantic comedy openings in years one that seems prime for its own franchise.
Macron is, famously, a Molière lover — almost, one might say, a Molière fanatic: in a hallucinatory moment, he once engaged in an exchange of the proto-romantic Alceste's opening lines from "The Misanthrope" with a journalist, who took up the accompanying role of Philinte, Alceste's best friend, who represents simple common sense.
Cryptic, doomy, romantic yet ominous, this opening salvo signals the most important thing about Mr. Lehane's latest: precision.
Through nine weeks of "The Newsroom," which finishes its first season Sunday on HBO, Aaron Sorkin, the series's creator, hasn't been entirely successful at integrating the two sides of his personality — the civics teacher and the romantic comedian — and the opening of Episode 9 felt particularly strained.
I've learned to see them as a progression, moving from the torrid Romantic agony of the opening "Élégie" to the precise but brilliant classicism of the final "Tema con Variazioni": we might be seeing the same male-female relationship, though with different dancers in different lights.
It is that kind of a connection between a designer's clothing and the girls and women who wore them that will be celebrated in "Laura Ashley: The Romantic Heroine," an exhibition opening Saturday at the Fashion Museum in Bath, the town in western England best known for its Roman ruins and allusions in Jane Austen.
