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The strategy is an effort to compensate for romantic isolation and countless suppressed enthusiasms.
In the hipsterised vampire genre of Jim Jarmusch and Abel Ferrara, Amirpour has found her own funny, smart expression for teenage-bedroom loneliness, romantic isolation and a kind of perpetual emotional exile.
Some of the photographs are lovely, but they all project a picture of Olmsted's landscape architecture as "earth art," touched by an air of melancholy, romantic isolation, and sylvan loneliness.
(Now and forever in syndicated reruns, I hope.) Steven has settled into a life of plush professional satisfaction and romantic isolation — "I'm a one-divorce man," he quips — when he suddenly finds himself tugged back into the tides of romantic attraction.
From his remote hideaway (a "wall against the world") in the thick of the swamps, this ex-cop ("a man with a head full of sour memories") is free to paddle his canoe in romantic isolation while indulging his absurdly overblown sense of guilt over a job-related act of violence back home in Philadelphia.
They all try to muddle their way through romantic isolation, divorce, death, drugs, forgiveness, and betrayal, and the process is messy and imperfect.
Similar(54)
One of the most striking things about entrepreneurs, for example, is their sometimes awkward resemblance to Romantic heroes their isolation, the fact that they are perpetually swimming against the current, against the wishes of one or more of their constituencies, against convention, against criticism, against heavy odds.
I mistook my own teenage isolation as romantic.
The petition has drawn the Pritzker into a discussion of the profession's well-earned reputation for sexism, but also raised questions about the way the field — and particularly the Pritzker — traffics in a dated notion of the architect as romantic hero, inspired in isolation with plans for a shining monument.
Yet rather than looking for a trite romantic "solution" to her isolation (there's a frisson of attraction with her protege, Fabien, seductively played by Roman Kolinka), Hansen-Løve keeps Nathalie purposefully in flux and on the move, Denis Lenoir's camera constantly catching her striding hither and yon, proceeding as briskly as the film itself.
"...the life I was raised to admire was entirely the product of this isolation, infinitely romantic, but in a kind of vacuum, its only antecedent aesthetic, and the aesthetic only the determined "Bohemianism" of nineteenth-century San Francisco.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com