"romantic imagination" is a correct and usable phrase in written English.
It can be used to describe someone's ability or tendency to create elaborate and idealistic visions or ideas related to love, relationships, or the pursuit of romance. Example: Jane's romantic imagination often led her to daydream about her perfect wedding, complete with flowers, music, and a fairytale-like setting.
Extremes of landscape have attracted writers from the romantics onwards, peaks and vast expanses so perfectly tailored to the romantic imagination, but there is a perception that moors can lend themselves to melodrama, unfashionable in contemporary writing.
Nijinsky's ballet makes us hear "Le Sacre" as radical anthropological fiction, a vision of an ancient barbaric tribe populated not by the thrillingly noble savages and wavelike formations of the Romantic imagination but by truly uncouth hunter-gatherers whose various social strata are imagined in detail.
"And it's had a difficult time with many components of the Romantic imagination because of modernism.
If business education has a romantic imagination, the full-time MBA captures most of it.
For much of the city's history, that purview was reserved mostly for birds and the romantic imagination of conceptual artists.
The Romantic imagination had a field day with thrusting tors and quaking mires.
Ms. Yass specializes in the sublime, that experience of terror and beauty that long ago galvanized Romantic imaginations.
They were there to dance the forró, a rustic country dance from northeastern Brazil that has fired the romantic imaginations of Parisians young and old, at a weekly gathering devoted to the dance.
The upper-class bumblers in charge latched on to any excuse, no matter how quickly it was debunked, to pursue their project of returning the country to the Victorian slum state of their romantic imaginations, where finally, at long last, poor but cheerful urchins would give them the respect they deserved for being born wealthy.
The first, which opened in 1987, was A Paradise Lost: The Neo-Romantic Imagination in Britain 1935-53.
Indeed in the book edited by Dr David Mellor to accompany an important 1987 exhibition called A Paradise Lost: The Neo-Romantic Imagination in Britain 1935-55, Powell and Pressburger are given a chapter to themselves alongside such artists as John Craxton, Michael Ayrton and Graham Sutherland.
