Sentence examples for romance off from inspiring English sources

But if she is able make a split in her mind between sexual acts performed on camera and romance off camera, it isn't so easy for her boyfriends.

And by knocking romance off its Hallmark pedestal, we might go some small way to restoring the importance and dignity of these less glamorous but more fulfilling relationships.

This episode featured the entire cast, and audiences loved watching the romance of off-screen couple Jason Donovan Scottt) and Kylie Minogue (Charlene) spill over on to the small screen".

There is some irony in the fact that there was a romance off-screen when on-screen the duo dump the cinematic convention of love being the catalyst for drama by having lead character Frances casually, and without emotion, dump her boyfriend in the opening scene.

And in case you were wondering if she and Savage took Cory and Topanga's onscreen romance off-screen -- they didn't.

It seems likely that Robert Pattinson and Kristen Stewart, as the stars of one of the biggest teen movie franchises in the world, were encouraged toward replicating their onscreen romance off-screen to further sell in the idea of true, unending vampire love to Twilight fans.

It seems likely that Robert Pattinson and Kristen Stewart, as the stars of one of the biggest teen movie franchises in the world, were encouraged towards replicating their on-screen romance off-screen to further sell in the idea of true, unending vampire love to Twilight fans.

This lovely third chapter in Richard Linklater's wise, woozy walking-and-talking series charting the on-and-off romance of American writer Jesse Ethan Hawkee) and French neurotic Céline (Julie Delpy, at once exasperating and wondrous) finds the pair shacked up – finally – with twins, but has bracingly tough things to say about the challenges and pressures of staying in love.

Before this episode aired, Ted Danson decided to renew his contract with the show as Sam Malone, while Shelley Long decided to quit the series, which could conclude the on-and-off romance of "Sam and Diane" that went on for the first five years since 1982.

However, working with a script by Hecht and Charles MacArthur, he crafted Twentieth Century (1934) into an enduring screwball comedy, establishing (along with Frank Capra's It Happened One Night [1934]) the genre's conventions: seemingly mismatched lovers at the centre of unlikely romances, off-the-wall characters and behaviour, and zany situations.

"But the romance of it took off".