Exact(15)
Sarah Connolly is excellent in the title role, singing with authority, consistency and impressive control.
Sarah Connolly was excellent in the title role, singing with authority and impressive control.
Nicholas Tamagna proved the standout in the title role, singing with a luminous countertenor, strong coloratura and dramatic conviction as he evolved from swaggering unpleasantness to humbled redemption.
He appeared fatigued until he warmed into his entertainer role, singing some Louis Armscatng-stylinesandlines and ripping off a few tenor saxophone solos.
Interpolating extra-high roulades into the music, she brought her bright, clear and very sizable voice to the role, singing with impeccable accuracy and delightful impishness.
The mezzo-soprano Larissa Diadkova, who has performed Fricka at the Met, again proved terrifying in the role, singing with abandon, power and smoky colorings.
Similar(45)
I have seldom heard the role sung with such rhythmic accuracy and verbal clarity.
Shira Lissek, in the title role, sang warmly and with dignified pathos.
The Dyer's Wife, a role sung by both Ms. Goerke and Ms. Herlitzius, is more difficult to fathom.
Mr. Storey, who had the gravity and vocal heft for the daunting title role, sang with stamina and intelligence.
And it is disarming to hear the role sung with such vocal grace, even sweetness in places.
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