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I found myself on a country road featuring half a dozen cottages, with porches and greenhouses.
Through Sunday, "Beatific Soul: Jack Kerouac on the Road," featuring his diaries, manuscripts, photographs and personal items.
Through March 16, "Beatific Soul: Jack Kerouac on the Road," featuring his diaries, manuscripts, photographs and personal items.
Now, it's Jack Kerouac's turn, thanks to an "amplified edition" of "On the Road" featuring video clips, slide shows and an interactive map of Kerouac's own road trips.
Through Feb. 24, then March 1 to March 16, "Beatific Soul: Jack Kerouac on the Road," featuring the author's diaries, manuscripts, photographs and personal items.
And at no point in his expansive career is the emotion in his voice more palpable than at the end of the last song on the first "Duets," a medley of "All The Way/One for My Baby (And One More for the Road)," featuring the pop saxophonist Kenny G, who isn't half bad on this track.
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(Iraqi Road features a despondent Saddam Hussein, the wheels fallen off his jeep).
Most covers of "On the Road" feature a grainy, black-and-white photograph of a young Kerouac looking rakish and cavalier.
The cover for the magazine's Travel and Food Issue, "The Road," features a detail of a new painting by the artist David Hockney.
The latest free summer production from Theatreworks USA, "The Yellow Brick Road" features a young Latina heroine, Dora Inez Garza, and a score filled with salsa and merengue tunes.
"Duet x 2" is in silence; in "Blauvelt Mountain" the dancers talk now and then, lobbing isolated words at each other ("marriage," "open"); and "Monkey Run Road" features some talking too.
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com