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In Pieve di Cento, the shaking collapsed the cupola of the Church of Santa Maria Maggiore, showering debris into the nave and putting at risk paintings by renowned Baroque artists like Guercino, Guido Reni and Lavinia Fontana, which are now exposed to the elements.
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While violent content is an occasional concern (especially when it comes to painters like Russell and Remington), the more common risk for Western paintings of all kinds is sentimentality: mythologizing or romanticizing Indian life, cowboy culture and the West.
In order to predict degradation rates (and thus risk) in real paintings, understanding the effect of the formulation on the degradation rate is important.
The gained insight is useful for risk assessment of paintings at modern art institutions, especially in relation to degradation phenomena occurring in paints containing the different white pigments.
With their plum and red grounds, their orange and russet and grey and brownish hovering forms, the Seagram paintings always risked being taken for an overly tasteful colour scheme.
"Painting stripe paintings is a vigorous kind of thing.
But now he has risked his fame, with some paintings done by his own hand.
A microclimate monitoring study was conducted in 2008 aimed at assessing the conservation risks affecting the valuable wall paintings decorating Ariadne's House (Pompeii, Italy).
"We also take a risk when we hang our best paintings in museums," he said.
Recently, Druzik and Cass claimed that some specific paintings were under special risk of soiling [131].
Thus, many late 19th early 20th century paintings are nowadays at risk due to the fading or darkening of the organic pigments [1, 2].
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Justyna Jupowicz-Kozak
CEO of Professional Science Editing for Scientists @ prosciediting.com