Sentence examples for rich paint from inspiring English sources

Hexanal and propanal were the dominating aldehydes emitted for linoleic and linolenic acid rich paint, respectively.

As in the case of the Le Portrait, the zinc maps appear as a negative image of the lead distribution, an indication that the Zn signal is blocked locally by the application on top of it of lead rich paint used as a priming and in the modelling of the nude figure of the hidden painting.

A mercury (Hg) rich paint, probably vermillion, was used specifically in this area and, apart from a faint thin application to the foreground where the artist thought to convey a warmer tone to the entrance of the cave, it is absent from everywhere else in the composition.

Improved performances seem related to oil/oil-resin rich paint layers, or to the selection of the neutral respect to the basic form (less reactive towards the acidity of the oil), or by adding yellow glazes on top of it [1, 144].

It appears to have been applied thinly at first, setting out the position and triangular shape of the warm glow, and probably over the first layer of umber, as the Hg rich paint seems to shield the iron signal from below (Fig. 5).

The former primate's palace, the Christian Museum, has a rich painting collection.

All spaces are filled with rich painted ornamentation -- animals, flowers, trees, temples, imaginary beasts.

He thinks Auerbach's sticky, gooey, almost monstrously rich painting style helped Freud escape his "anal" tendencies and embrace "some of Auerbach's meatiness".

It is a deceptively complex and rich painting, with an amazing tension between the subject and the language used to depict it – the slaughtered family heaped dead under a kitchen table, their bodies intertwined.

Gazing at the words "PAUL N RICH" painted on a window so it can only be read properly from the inside, they get even more carried away: "Wanksy's most famous work using transparent perspective.

What made his fame and fortune (he still tops the price list for contemporaries) was of course his Flag of 1955, that marvellously rich painting of the Stars and Stripes that not only looked like the thing it represented but filled the description so precisely as to make the title appear weirdly tautological (representation become object).