Sentence examples for rhythmic side from inspiring English sources

Mr. Allen focused instead on the rhythmic side of the band's repertory, featuring songs buoyed by swing and calypso rhythm; often there were snappily cosmic lyrics sung by Art Jenkins or other members of the band.

That, and the fact that we used our drummer William Bowerman, who drums with us live, on a few tracks just means the rhythmic side of it is just a lot more focused than the previous record".

On the rhythmic side, 4/4 swing had by now completely taken over, providing the basis for a new fluency, freedom, and (as desired) complexity in rhythm sections; this in turn freed the soloists and ensembles to explore new structural territories and all of these developments were expressed with a radically new virtuosity.

Clinical signs were similar in all inoculated subjects, consisting of feather fluffing, rhythmic side to side head movements, ataxia, head held at an angle, loss of appetite, loss of balance and motor control, and tremors.

Snow whipped past the windows and whitecapped, steel-gray waves battered the sides, disturbing the ship's rhythmic rocking from front to back and side to side, making it something entirely unpredictable.

It's flanked by rising cliffs on one side and the rhythmic lapping of the waves on the other, with a wave-polished expanse of shingle at your feet; there could be few better places to spend the night.

LAURIE SPIEGEL The New York composer Laurie Spiegel created her electronic music at Bell Labs in the 1970s; inspired by John Fahey, Bach and 14th-century motets (she played bluegrass and baroque guitar on the side), she composed rhythmic and agreeably spacey pieces using analog synthesizers and a computer that took up a whole room.

Lindwall was known for his classical style, with a smooth and rhythmic run-up and textbook side-on bowling action, from which he generated his trademark outswinger which moved away late at high pace.

Sharpton's sermon roared into its peroration, a rolling, rhythmic growl, as off to the side, the church organist started punctuating each rising phrase with a chord, and Al Sharpton began -- to sing!

The guitar figures in the bridge include a phrase played low and rhythmic guitar stabs on the opposite side of the audio mix.

The first side contains the more rhythmic songs recorded—"Born Under Punches (The Heat Goes On)", "Crosseyed and Painless", and "The Great Curve"—which include long instrumental interludes.