Sentence examples for rhythm along from inspiring English sources

We crank out a steady rhythm along rapier- straight roads that are 5km long without a kink.

(Chinen) David Binney (Tuesday) Mr. Binney, an alto saxophonist, practices a brand of avant-gardism that embraces harmony, melody and rhythm, along with amplification.

Rows of older brick buildings flank them to the north and south, and the contrast between glass and masonry, straight and curved lines, creates a nice rhythm along what was once a bleak strip of decrepit offices and warehouses.

"In fact this helps make a skyline by generating a rhythm along the avenue, addressing now not the avenue but the city at large, creating a point of reference and visual link between the east and west side".

The pans are yanked, with military rhythm, along a platform; the soldiers are heading into the maw of battle, which is suggested by a fiery spray of red-lighted sand from the wings.

(Chinen) DAVE BINNEY'S BALANCE (Tuesday) The alto saxophonist Dave Binney heeds an avant-gardism that embraces harmony, melody and rhythm, along with amplification; he receives sinuous support from the keyboardist Craig Taborn, the bassist Thomas Morgan and the drummer Dan Weiss. 10 p.m., 55 Bar, 55 Christopher Street, West Village, (212 929-9883, $10.

In her memoir "Chance and Circumstance," Brown describes how, seeing a revival of "Rune," a work from 1959 in which she danced, she was unable to recognize a piece that had been "homogenized into a thin, bland ersatz mayonnaise" and had lost its rhythms "along with the jagged edges, the explosive energy, the eerie somnambulant quiet".

Katy Perry, a supporter of Hillary Clinton during the presidential election campaign wearing a Planned Parenthood Button and an armband that said "Persist", ended her rendition of politically oriented song "Chained to the Rhythm" sung along with Skip Marley standing in front of a backdrop of the Preamble to the U.S. Constitution.

Both men have a knack for making stylized Baroque forms sound alive and spontaneous: rhythms bounce along with quasi-popular energy, vibrant colors burst on the ears.

But behind the drug- and alcohol-fueled machismo, the kingmaking and the crushing of rivals, are a feline watchfulness and a poetic sensibility that echoes Bellow's and Updike's prose rhythms along with their voracious, exuberant intelligence.

The "Fête Polonaise" that opens Act II is the opera's song-and-dance showstopper, an intoxicating explosion of dazzling instrumental color and syncopated mazurka rhythms, along with some sensually chromatic twists that could hardly have existed without Wagner.