Expect a few curriculum reworkings along the lines of Harvard's, and, in the wake of the Occupy movement, the incorporation of income inequality and taxation into discussions of corporate social responsibility.
"My purpose," he writes, "is to pare back a little the cuticle of time and to apply the research methods I have learnt as a biographer to my own life for a while, letting the detective work show through the narrative at some places for those who have a similar curiosity in human nature and its reworkings on a family chronicle".
Early Italian collections such as Le piacevoli notti (1550, vol. 1; 1553, vol. 2; "The Pleasant Nights") of Gianfrancesco Straparola and Il Pentamerone (1636; originally published [1634] in Neapolitan dialect as Lo cunto de li cunti) of Giambattista Basile contain reworkings in a highly literary style of such stories as "Snow White," "Sleeping Beauty," and "The Maiden in the Tower".
By 1900 his powers were impaired, and he injured some of his earlier paintings with misjudged reworkings.
No writer enjoyed a greater following in his time, but Akutagawa found less and less satisfaction in his reworkings of existing tales and turned eventually to writing about himself in a sometimes harrowing manner.
He also designed churches and palaces, some of them reworkings of designs of Bramante, Raphael, the Sangallo family, and Michelangelo.
Although sculpture continued to be produced in later periods, it consisted largely of uninspired reworkings of old themes and old styles.
Repositioning themselves to appeal to the growing rock market in the late 1960s, Ike and Tina Turner began to sell records again with their energetic reworkings of other people's songs, most notably Creedence Clearwater Revival's "Proud Mary" (1971), which, along with "Nutbush City Limits" (1973), written by Tina, proved to be their last major success.
The majority of the harpsichord concerti are further transcriptions and reworkings, some not yet tracked to their sources.
Transcriptions and reworkings figure in many of Handel's concerti, as in Bach's.
The first productions were reworkings of Elizabethan and Jacobean plays, tailored to suit the tastes of the new aristocratic audience composed almost exclusively of courtiers and their attendants.
